landscape

Penny Gordon-Chumbley

As an observer of and a participant in the natural world, I cannot help but react with wonder, amusement, joy and curiosity to what I see and experience. These reactions compel me to paint from the heart, not with a historical or objective eye. As a result, my paintings become imagined settings, conveying feelings about a particular time and place or about the gifts of the earth. Unapologetically, I also react to places and objects through the lens of faith, a faith in a loving, actively involved creator.

Jodie Sutton

I am excited to share with you my collection of work titled “Exploration.” These pieces reflect the various stages of my three-year journey in encaustic painting. After a long break from the fine arts, I found myself needing to disconnect from the daily barrage of technology. So, I taught myself the basics of encaustics and I began experimenting in photo encaustics. I soon transitioned into abstract landscapes and nonrepresentational pieces. I enjoy exploring the texture, translucent quality, and fluidity that can be achieved through the medium.

Mary Ellen Chiles

I walked with a friend in the North Cascades in Washington, and I tugged on his arm. “Don’t you see the way the light looks like someone dunked that mountain into an aquarium?” I said. “Don’t you see we’re lucky?” But I feel that way when I notice twigs on the sidewalk or sunlight on a doorknob. So I took photos and I wrote a little bit about people I met. I worked and traveled, and I didn’t try very hard to publish or sell what I did. Then I hit my head on an icy hill in Washington, and I decided I better start trying.