Much of what I do in the studio is deeply influenced by both modern and ancient art, and I revel at exploring any and all art museums hoping to infuse style and influence from other times and cultures into my work. I am particularly fond of abstract expressionism and expressionism in general for the way those styles communicate the individuality and spirit of the artist. I enjoy working in both acrylic and oil, but also like to use a combination of charcoal and pastels in my mixed media work.
Observation and curiosity drive my studio practice. Through the investigation of and experimentation with different kinds of materials, I express discontent with the current political climate as well as reflect on my experiences growing up in the American Midwest. My work explores entropy, artifice, consumerism, and my place in the lineage of abstraction in contemporary and modern painting and its relationship with installation art.
As an observer of and a participant in the natural world, I cannot help but react with wonder, amusement, joy and curiosity to what I see and experience. These reactions compel me to paint from the heart, not with a historical or objective eye. As a result, my paintings become imagined settings, conveying feelings about a particular time and place or about the gifts of the earth. Unapologetically, I also react to places and objects through the lens of faith, a faith in a loving, actively involved creator.