I paint moments of time. Capturing what I see in paint is both an humbling and awe inspiring experience. I don't assume the viewer will feel or even see what I see, they will have their own unique response to my painting. That is part of the majic I love about art. My style is realism and the subject matter of my art is landscape. Whether painting on location or in the studio my work reflects my love of the land and nature.
As an observer of and a participant in the natural world, I cannot help but react with wonder, amusement, joy and curiosity to what I see and experience. These reactions compel me to paint from the heart, not with a historical or objective eye. As a result, my paintings become imagined settings, conveying feelings about a particular time and place or about the gifts of the earth. Unapologetically, I also react to places and objects through the lens of faith, a faith in a loving, actively involved creator.
I am excited to share with you my collection of work titled “Exploration.” These pieces reflect the various stages of my three-year journey in encaustic painting. After a long break from the fine arts, I found myself needing to disconnect from the daily barrage of technology. So, I taught myself the basics of encaustics and I began experimenting in photo encaustics. I soon transitioned into abstract landscapes and nonrepresentational pieces. I enjoy exploring the texture, translucent quality, and fluidity that can be achieved through the medium.
I walked with a friend in the North Cascades in Washington, and I tugged on his arm. “Don’t you see the way the light looks like someone dunked that mountain into an aquarium?” I said. “Don’t you see we’re lucky?” But I feel that way when I notice twigs on the sidewalk or sunlight on a doorknob. So I took photos and I wrote a little bit about people I met. I worked and traveled, and I didn’t try very hard to publish or sell what I did. Then I hit my head on an icy hill in Washington, and I decided I better start trying.