I am profoundly inspired by texture, discards and what lies beneath the surface. My primary art form has been in fashion design and the production of apparel. With that I am intrigued with hand stitched mark making and mixing garment construction concepts and compositions with a variety of mediums, including cloth assemblage, oil, acrylic and encaustic, to create surfaces that are both engaging and poetic.
acrylic on canvas
Each piece of fluid art even if made with the same technique and colors will end up slightly unique, a true original, no two matching exactly. I experiment a lot with different techniques in my work giving a variety of patterns and details, some more complex compositions with lots of vibrant colors, while another will be more minimalistic with lots of negative space. I feel there are endless options with abstract art, and this medium especially offers so many fun possibilities.
Much of what I do in the studio is deeply influenced by both modern and ancient art, and I revel at exploring any and all art museums hoping to infuse style and influence from other times and cultures into my work. I am particularly fond of abstract expressionism and expressionism in general for the way those styles communicate the individuality and spirit of the artist. I enjoy working in both acrylic and oil, but also like to use a combination of charcoal and pastels in my mixed media work.
Observation and curiosity drive my studio practice. Through the investigation of and experimentation with different kinds of materials, I express discontent with the current political climate as well as reflect on my experiences growing up in the American Midwest. My work explores entropy, artifice, consumerism, and my place in the lineage of abstraction in contemporary and modern painting and its relationship with installation art.
I've been a ballerina since I was seven years old. I have trained mostly in Russian Vaganova style. This type of ballet although it is very strenuous and technically challenging, it's meant to look fluid and effortless. These qualities translate into the way that I paint. My work emphasizes the tensions implicit in combining the human mind and the world it perceives. What is underneath the surface is how I see the world. I want to make visible what is invisible. I intend to narrate my feelings and thoughts through painting.